Jazz, dance contemporaryType du podcast : Adresse du site : http://www.josselincarre.com Adresse du flux : http://www.josselincarre.com/podcast/podcast.xml |
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You can discover lot's of interviews of international artists. For example, a serie of podcast jazzlink# : Médéric Collignon, Jean Michel Pilc, Andy Emler, Jim Black, Jacky Terrasson, Steve Lehman... Jazzlink# is made with collaboration with citizenjazz.com For example, a serie of podcast about dance contemporary : Alain Platel, Akram Khan, Sidi Larbi Cherkaoui, Nanine Linning, Constanza Macras.... Its made for dutch festivals : Cinedans & Julidans There are also music trailer, epk, live.... Sylvain Luc, Cosmic Groove Orchestra, Wanja Slavin Quintet, Sir Chac Bulay Enjoy my work ! Josselin Carré Teaser "il était une fois la résolution collignon" Hommage à Ennio Morricone Après Porgy and Bess, Médéric Collignon, jazzman multi-instrumentiste, se confronte à une seconde oeuvre magistrale du 20éme siècle : la bande originale du film de Sergio Leone, Il était une fois la révolution, composée par Ennio Morricone. Alternant de longues séquences musicales et des entretiens sans concession avec ce ?trublion musical?, Il était une fois la ré(s)olution Collignon revient sur la création de cette performance lors de la 31ème édition du festival Jazz in Marciac. Avec Médéric Collignon, Thomas de Pourquery, Frank Woeste, Matthieu Jérôme, Maxime Delpierre, Jean-Philippe Morel, Phlippe Gleizes jazzlink# 8 : steve lehman Meeting with the New Yorker Saxophonist Steve Lehman ! Steve Lehman Octet : Jonathan Finlayson, Mark Shim, Tim Albright, Chris Dingman, Jose Davila, Drew Gress, Tyshawn Sorey, Steve Lehman Recorded at Jazz Gallery (Dec 2008 - New York) Cinedans 2008 : Meeting with Philip Bussman Philip Bussman speaks about his work , filminstallations, William Forsythe, Kammer Kammer, Sasha Walz, working with video, sound, dance. http://www.cinedans.nl http://www.philipbussmann.com Julidans 2008 : A meeting with Nanine Linning Nanine Linning, a dutch choregrapher, will be invitated for festival Julidans 2008. I met her and his company during rehearsals for promoting her performance ?Dolby?. Cinedans 2008 : A meeting with Brigitte Kramer and Sasha Waltz I met Brigitte Kramer in Berlin in order to indroduce her film ?Garden of Earthly Delight? about the german choregrapher Sasha Waltz. Interview was recorded in Berlin (April 2008) Cinedans 2008 : A meeting with Sophie Fiennes and Alain Platel I met Sophie Fiennes, director of film called ?VSPRS?, during Dok.fest in Muenchen. She followed the performance of the choregrapher Alain Platel during avignon festival. The film is selected for the next festival cinedans. Julidans 2008 : A meeting with Constanza Macras Constanza Macras, a argentine choregrapher who lives in Berlin will present her performance ?Brickland? in the next festival Julidans. The interview was recorded in Berlin (April 2008) Julidans 2008 : A meeting with Akram Khan I met Akram to promote his performance ?Bahok? which it presented at Julidans 2008. The interview was recorded in Paris (April 2008) Cinedans 2008 : A meeting Viviane Blumenschein and Elena Bromund The dance company Dance for All was established in Cape Town in South-Africa in 1991, during Apartheid. The initiators were Philip Boyd and the recently deceased Phyllis Spira. These days, the company has grown into a place where about 500 children train their dancing skills. The most talented children will be given a professional dance education. Their dreams for independence motivate them to complete this demanding education. The film Dance for All follows three ballet dancers from the townships Gugulethu and Kayelithsa in Capetown, trying to find their way in a life full of contrasts in South-Africa in 2007. Cinedans 2008 : A meeting with Akram Khan and Gilles Delmas ?Lettres sur le pont? The British Bengal choreographer Akram Khan, who studied both kathak as well as contemporary dance, has brought together two dance companies for his latest show bahok: his own Akram Kham Company and the National Ballet of China. The documentary Lettres sur le pont by Gilles Delmas shows us a peep behind the scenes of the cooperation between Akram Khan and his dancers, the dancers of the National Ballet of China and composer and musician Nitin Sawhney. What precedes the performance finally being shown in the theatres? Which challenges had to be faced and how much sweat did it take to merge the dynamics of the modern China, elements of Chinese folklore dance and kathak with western and classical influences? |
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